2014-15 Met Season




2014-2015 SEASON



 TICKETS: $22 Adult / $20 Senior / $15 Student with ID






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La Donna del Lago




La Donna del Lago



March 21, 2015  Saturday at 12:55pm  Tickets



Bel canto superstars Joyce DiDonato and Juan Diego Flórez join forces for this Rossini showcase of vocal virtuosity, set in the medieval Scottish highlands and based on a beloved novel by Sir Walter Scott. DiDonato is the “lady of the lake” of the title, and Flórez is the king who relentlessly pursues her, their vocal fireworks embellishing the romantic plot in this Met premiere production conducted by Michele Mariotti.


Libretto by Andrea Leone Tottola, based on the poem The Lady of the Lake by Walter Scoitt

Premiere: Teatro San Carlo, Naples, October 24, 1819

Live in HD transmission and radio broadcast March 14, 2015


 Act I

Loch Katrine, Stirlingshire, Scotland. Elena, the Lady of the Lake, makes her daily crossing while shepherds watch their flocks and men hunt in the woods. She sings of her love for Malcolm Groeme, but comes across King James, who has disguised himself as “Uberto,” hoping to meet the legendary beauty Elena. Believing the King to be a hunter who has lost his way, she offers him hospitality and they depart for her home, while the King’s men search for their disguised leader.


King James learns that Elena’s father is Duglas d’Angus, his former tutor, who has since joined the Highland Clan that is opposed to James’s rule. He also learns of Elena’s betrothal to Rodrigo di Dhu, the chief of the Highland Clan and enemy of the King, but his jealousy is assuaged by Elena’s lukewarm reaction to the prospect of her marriage. Malcolm, the suitor whom Elena loves, arrives shortly after James departs. Hidden, Malcolm must endure overhearing Duglas order his daughter to marry Rodrigo, as he commands. After Duglas has left, Malcolm and Elena pledge their love.


The Highland warriors gather to welcome their leader, Rodrigo, who introduces Elena as his future bride. Malcolm has now resolved to join the clan against the King, but his secret bond with Elena is perceived by Duglas and Rodrigo when they meet. When news arrives of an attack by the King’s army and the omen of a meteor passing in the sky, Rodrigo and his warriors depart for battle. Scotland is at war.


Act II

Still disguised as “Uberto,” James searches desperately for Elena, hoping to protect her from the coming bloodshed. When he finds her he once again declares his love, but she rejects his advances. He then gives her a ring which he claims was given to him by the King and will secure her protection from the King’s forces. Rodrigo, who has overheard the conversation, attempts to have his soldiers kill the stranger, but Elena intercedes. Rodrigo vows to duel with “Uberto” himself.


Meanwhile, Malcolm has left the battle in the hopes of finding Elena, but is informed she has followed her father to Stirling Palace to seek peace. Rodrigo is reported to have been killed and the Higlanders now face certain defeat. Malcolm declares that he will save Elena or face his own death. Elena enters the castle, determined to save the lives of her father, Malcolm, and Rodrigo. Using the ring she given to her by “Uberto” she gains access to the King’s chambers.


Elena is surprised to see nobles surrounding “Uberto,” who soon reveals his true identity. His feelings for her soften his attitude towards her father, and he pardons both Duglas and Malcolm. Elena and Malcolm are finally united, and all rejoice as a new peace reigns in Scotland.





Cavalleria Rusticana/Pagliacci



Mascagni's                                     Leoncavallo's

Cavalleria Rusticana        Pagliacci



April 25, 2015  Saturday at 12:30pm Tickets



ENCORE:  May 6, 2015  Wednesday at 6:30pm  Tickets




Opera’s most enduring tragic double bill returns in an evocative new production from Sir David McVicar, who sets the action across two time periods but in the same Sicilian village. Marcelo Álvarez rises to the challenge of playing the dual tenor roles of Turiddu in Cavalleria Rusticana and Canio in Pagliacci. Rae Smith (War Horse) has designed the moodily atmospheric 1900 village square setting of Cavalleria, which transforms to a 1948 truck stop for the doomed vaudeville troupe of Pagliacci. Eva-Maria Westbroek (Cav) and Patricia Racette (Pag) sing the unlucky heroines, and Met Principal Conductor Fabio Luisi is on the podium.



Libretto by Giovanni Targioni-Tozzetti and Guido Menasci, based on a story and play by Giovanni Verga

World premiere: Rome, Teatro Costanzi, May 17, 1890

 Live in HD transmission and radio broadcast April 25, 2015


 A village in southern Italy. At dawn on Easter Sunday, Turiddu is heard in the distance singing about Lola, wife of the carter Alfio. She and Turiddu had been a couple before he went to join the army. When he returned and found her married to Alfio, he took up with Santuzza and seduced her, but now has abandoned her and rekindled his relationship with Lola. Later in the morning, a distraught Santuzza approaches the tavern of Mamma Lucia, Turiddu’s mother, who tells her that her son is away buying wine. But Santuzza knows that Turiddu has been seen during the night in the village. Alfio arrives with a group of men, boasting of his horses—and of Lola. He asks Mamma Lucia if she has any more of her good wine. When she says that Turiddu has gone to get more, Alfio replies that he saw the other man near his house that same morning. Lucia is surprised but Santuzza tells her to keep quiet. As the villagers follow the procession to church, Santuzza stays behind and pours out her grief about Turiddu to Mamma Lucia. The old woman expresses her pity, then also leaves for mass. Turiddu appears and is confronted by Santuzza about his affair with Lola but denies her accusations. Just then Lola passes by on her way to church. She mocks Santuzza, and Turiddu turns to follow her, but Santuzza begs him to stay and implores him not to abandon her. Turiddu refuses to listen and leaves, cursed by Santuzza. Alfio arrives, late for mass. Santuzza tells him that Lola went to church with Turiddu and reveals that his wife has been cheating on him. In a rage, Alfio swears to get even and rushes off, leaving behind the now conscience-stricken Santuzza.


Returning from the church the villagers gather at Mamma Lucia’s tavern. Turiddu leads them in a drinking song, but the atmosphere becomes tense when Alfio appears. He refuses Turiddu’s offer of wine and instead challenges him to a knife fight. Turiddu admits his guilt but is determined to go through with the fight, for Santuzza’s sake as well as for his honor. The two men agree to meet outside the village. Alone with his mother, Turiddu begs her to take care of Santuzza if he doesn’t come back, then runs off to the fight. As Mamma Lucia waits anxiously, shouts are heard in the distance. A woman runs in screaming that Turiddu has been killed.




Libretto by the composer

World premiere: Milan, Teatro dal Verme, May 21, 1892

 Live in HD transmission and radio broadcast April 25, 2015



Tonio the clown announces that what the audience is about to see is a true story and that actors have the same joys and sorrows as other people.


Act I

A village in southern Italy. A small theatrical company has just arrived and Canio, the head of the troupe, advertises the night’s performance to the gathered crowd. One of the villagers suggests that Tonio is secretly courting Canio’s young wife, Nedda. Canio warns them all that he will not tolerate any flirting offstage—life and theater are not the same. As the crowd disperses, Nedda is left alone, disturbed by her husband’s jealousy. She looks up to the sky, envying the birds their freedom. Tonio appears and tries to force himself on her but she beats him back and he retreats, swearing revenge. In fact, Nedda does have a lover—Silvio, a young peasant, who suddenly appears. The two reaffirm their love and Silvio persuades Nedda to run away with him that night. Tonio, who has returned and overheard the end of their conversation, hurries off to alert Canio, but Silvio manages to slip away unrecognized. Canio violently threatens Nedda but she refuses to reveal her lover’s name. Beppe, another member of the troupe, restrains Canio, and Tonio advises him to wait until the evening’s performance to catch the culprit. Alone, Canio gives in to his despair—he must play the clown even though his heart is breaking.


Act II

That evening, the villagers assemble to watch the performance, Silvio among them. Beppe plays Harlequin, who serenades Columbine, played by Nedda. He dismisses her buffoonish servant Taddeo, played by Tonio, and over dinner the two lovers plot to poison Columbine’s husband Pagliaccio, played by Canio. When Pagliaccio unexpectedly appears, Harlequin slips away. Taddeo maliciously assures Pagliaccio of his wife’s innocence, which ignites Canio’s jealousy. Forgetting his role and the play, he demands that Nedda tell him the name of her lover. She tries to continue with the performance, the audience enthralled by its realism, until Canio snaps. In a fit of rage he stabs Nedda and then Silvio, who rushes to her aid. Turning to the horrified crowd, Canio announces that the comedy is over.




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